
As with much great satire, we are presented here with an ancient depiction of inequality: the powerful drivers of economic “progress” crushing the very people whose industry they purport to advance. In this cartoon, a lone man desperately puts his body in the path of the massive machine, indignant, recalling the famous photo from Tiananmen Square-– he knows that stopping the machine’s advance is a life or death situation. Behind the cartoon’s two stenographers working away, however, I imagine thousands more at their desks, who can’t see the tank coming, and won’t until it’s too late. Like a stop sign in the middle of it all, alluded to by the man’s Stenonymous.com sandwich sign, is that ephemeral thing that might just save the little guys– an information commons.
The average person may not be aware of the current plight of the stenographic community, but to the workers themselves it is unavoidable. The lettering STTI refers to the Speech To Text Institute, a recently formed and deeply dysfunctional corporate conglomerate pushing the replacement of traditional stenography by A.I. captioning. Their tactic? Aggressively manufacturing the idea of a shortage of so many willing and able stenographers.
It’s disturbing to think that a computer program would replace the very specific art of stenography, considering the sensitive nature of on- and off-the-record courtroom language. A.I. inherently lacks the ability to distinguish between registers and tone, not to mention its built-in biases. It would be a telling exercise, for example, to have AI interpret the same cartoon that I am now. Because reporting is not purely mechanistic– like writing and reading satire, it requires a decidedly human savvy.
Despite my personal convictions, STTI proposes a real threat to the already vastly undervalued stenography community. We can safely assume the man with the sandwich board in the cartoon is one whose job has already been displaced. And the men at the helm of “the STTI”, emblazoned like a war ship, are laughing all the way to the bank, with a chauvinistic belief that they are winning at a life built on the backs of others.
What steamrolling organizations like STTI forget is, at the end of the day, stenographers are writers, witnesses. The women, the workers, in the cartoon are transcribing their experience, even as it gets closer to destroying them.
Cartooning, writing and reading are all forms of collectivizing. Political cartoons date back to the late 18th century, where they were posted on public walls and published in newspapers. If STTI continues with its socio-economic bullying of stenographers, and its manufactured crisis of labor, they should expect a lot more of this kind of creative blowback.
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My name is Cheri Marks and I am a poet interested in stenography and many other forms of writing. Thank you for reading and check back at Stenonymous.com soon for more of my literary-flavored missives.















